THE OGRE

Luxembourg, 2022, 6:40, 3D

A Mother and her Child live under the same roof as the Ogre, a cruel and violent creature. When the monster’s anger shakes the walls of the house, there is only one way out: hide and make no noise. Hush! Here he comes…

Original Title:	L’Ogre
Direction:	Aurélien Pira
Script:	Cyril Bossmannsg
Animation:	Michael Tenner Wijaya Oei
Sound design:	Pierre Vedovato
Production:	Zeilt Productions

Aurélien Pira graduated from the Haute École Albert Jacquard in 2009. He has been working as compositing supervisor on series projects suchas „Nächsts Station“ and „Barababor“ at Zeilt Productions.

AMOK

Hungary, 2021, 14:17 Drawing

After losing his fiancée and his good looks in a freak accident, Clyde must confront his inner demon

Direction:	Balázs Turai
Script:	Balázs Turai
Animation:	Balázs Turai, Zoltán Koska, Dániel Bárány, Márton Szakonyi
Editing:	Balázs Turai, Vanda Gorácz
Sound design:	Péter Benjámin Lukác
Production:	Boddah

Balázs Turai is a 37 year old Hungarian animation director. He co-wrote and co-directed a series adaptation of Voltaire’s Candide, created the web series called Oligarchia and directed a short scifi satire, The Fall of Rome.

AMOK

Mađarska, 2021, 14:17 Crtež

Nakon što je izgubio verenicu i lep izgled u čudnoj nesreći, Klajd mora da se suoči sa svojim unutrašnjim demonom.

Režija:	Balázs Turai
Scenario:	Balázs Turai
Animacija:	Balázs Turai, Zoltán Koska, Dániel Bárány, Márton Szakonyi
Montaža:	Balázs Turai, Vanda Gorácz
Dizajn zvuka:	Péter Benjámin Lukács
Produkcija:	Boddah

Balaž Turai je 37-godišnji mađarski reditelj animacije. Napisao je i korežirao adaptaciju serije Volterovog ’Kandida’, kreirao je veb seriju pod nazivom ’Oligarhija’ i režirao kratku naučnofantastičnu satiru, ’Pad Rim’a.

Voleo bih da si ovde

Austrija, 2022, 8:09 2D

Putovanje kroz maštu lika dok kopa po pesku otkrivajući predmete koje su ostavili drugi koje može samo da zamisli.

Režija:	Shaun Clark
Scenario:	Shaun Clark
Animacija:	Shaun Clark
Montaža:	Ariadna Fatjo-vilas
Dizajn zvuka:	David Pringle
Produkcija:	Flickermill

Nezavisni reditelj Šon Klark radio je kao reditelj i animator od 2005. Šon je održao retrospektivne projekcije svog rada u Grčkoj i Južnoj Koreji i kreirao je filmove za BBC, Discovery Times USA i Arts Council England. Trenutno živi u Londonu gde radi kao reditelj na vvv.flickermill.com

WISH YOU WERE HERE

UK, 2022, 7:14 Stop motion, Animated loop

A journey through a character’s imagination as he digs in the sand discovering objects left by others who he can only imagine. .

Direction:	Shaun Clark
Script:	Shaun Clark
Animation:	Shaun Clark
Editing:	Ariadna Fatjo-vilas
Sound design:	David Pringle
Production:	Flickermill

Independent filmmaker Shaun Clark has worked as a director and animator since 2005. Shaun has held retrospective screenings of his work both in Greece and South Korea and has created films for the BBC, Discovery Times USA and Arts Council England. He currently resides in London where he works as a director at www.flickermill.com

U GORNJOJ SOBI

Austrija, 2022, 8:09 2D

Svake sezone mlada krtica posećuje svog slepog dedu, koji živi duboko pod zemljom u udobno uređenoj jazbini. Kako njih dvoje postaju stariji, njihov odnos postaje intenzivniji i postavljaju se važna pitanja.

Režija:	Alexander Gratzer
Scenario:	Alexander Gratzer
Animacija:	Natália Andrade, Gábor Mariai, Alexander Gratzer
Montaža:	Alexander Gratzer
Dizajn zvuka:	Csaba Kalotás
Produkcija:	MOME, Budapest

Aleksander Gracer je rođen 1993. godine u Halajnu, Austrija. Diplomirao je slikarstvo na Univerzitetu primenjenih umetnosti u Beču 2018. godine. Master diplomu iz animacije na Moholi-Nagi Universitat Budapest 2021. „U gornjoj sobi je inspirisan posebnim trenutkom, koji sam doživeo sa svojim dedom, kada sam bio tinejdžer. “

IN THE UPPER ROOM

Austria, 2022, 8:09 2D

Every season a young mole visits his blind grandfather, who lives deep underground in a comfortably decorated burrow. As the two grow older their relationship becomes more intense and important questions arise.

Direction:	Alexander Gratzer
Script:	Alexander Gratzer
Animation:	Natália Andrade, Gábor Mariai, Alexander Gratzer
Editing:	Alexander Gratzer
Sound design:	Csaba Kalotás
Production:	MOME, Budapest

Alexander Gratzer was Born in 1993 in Hallein, Austria. He graduated painting from University of Applied Arts Vienna in 2018. Master diploma from animation from Moholy-Nagy Universität Budapest in 2021. “In The Upper Room is inspired by a special moment, that I experienced with my grandfather, when I was a teenager.“

GOSPODIN PIT I GVOZDENI KONJ

Švajcarska, 2021, 7:35 Crtež

Vredni vojnik gospodin Pit čini sve da ispuni visoke standarde svoje baronice. Da bi zadovoljio njenu neutaživu žudnju za brzinom, on ludački zamahuje lopatom na njenom novom gvozdenom konju.

Režija:	Kilian Vilim
Scenario:	Kilian Vilim
Animacija:	Lorenz Wunderle, Kilian Vilim, Lukas Pulver, Fela Bellotto, Etienne Mory, Aira Joana, Frederic Siegel, Lara Perren
Montaža:	Kilian Vilim
Dizajn zvuka:	Etienne Kompis
Produkcija:	YK Animatiomn Studio

Kilian Vilim rođen 1987. u Veršiju, Švajcarska. Diplomirao je animaciju na Univerzitetu primenjenih nauka i umetnosti u Lucernu 2017. Od tada radi kao slobodni ilustrator, dizajner zvuka, reditelj animacije.

SLOUCH

Germany, 2022, 18:00 2D, 3D

Wannabe musical legend Slouch is pushed by his song-writing-demon Nuffti to deep dive into his darkest emotions, while his girlfriend Lisa is pregnant and wants him to transition into a harmonic family life…

Direction:	Michael Bohnenstingl
Script:	Michael Bohnenstingl
Animation:	Michael Bohnenstingl, Julia Skala, Oleg Stetsenko , Maestro Pivetta, Angele Legras
Editing:	Maxime Chudeau
Sound design:	Perschya Chehrazi, Stefan Erschig
Production:	Michael Bohnenstingl

Michael Bohnenstingl is a director and writer, focusing on character-based stories in animation. He worked on kids-series with Studio soi and makes somewhat funny and hopefully touching short films. Occasionally he hosts the alternative film event „Night of Shame“ in which filmmakers show their most terrible films.

SLOUČ

Nemačka, 2022, 18:00 2D, 3D

Neostvarenu muzičku legendu Slouča njegov demon koji piše pesme Nufti nagnao je da duboko zaroni u svoje najmračnije emocije, dok je Sloučeva devojka Liza trudna i želi da on otpočne harmoničan porodični život…

Režija:	Michael Bohnenstingl
Scenario:	Michael Bohnenstingl
Animacija:	Michael Bohnenstingl, Julia Skala, Oleg Stetsenko , Maestro Pivetta, Angele Legras
Dizajn zvuka:	Perschya Chehrazi, Stefan Erschig
Produkcija:	Michael Bohnenstingl

Mihael Bonenštingl je reditelj i pisac, fokusiran se na priče zasnovane na likovima u animaciji. Radio je na dečijim serijama sa Studijem soi i pravi pomalo smešne i dirljive kratke filmove. Povremeno je domaćin alternativne filmske emisije „Noć srama“ u kojoj filmski stvaraoci prikazuju svoje najgore filmove.

CIRCUS MAXIMUS

SAD, 2022, 2:43 3D

Simulirana gradska gomila živi u potpunom neznanju o svom stanju, sve dok se njihov tvorac iznenada ne ispolji…

Režija:	Maxime Chudeau
Scenario:	Maxime Chudeau
Animacija:	Maxime Chudeau
Montaža:	Maxime Chudeau
Dizajn zvuka:	Maxime Chudeau
Produkcija:	Maxime Chudeauo

Maksim Šudo je umetnik/filmski stvaralac iz Čikaga. Nakon što je diplomirao scenografiju na H.E.A.R. (Strazbur, FR), radio je u pozorištu i bio umetnički direktor u Parizu pre nego što se preselio u SAD da bude predavač. Njegov rad istražuje fleksibilnost animacije i pojavu haotičnih svetova.

CIRCUS MAXIMUS

USA, 2022, 2:43 3D

A simulated city crowd lives in total ignorance of their condition, until their creator suddenly manifests itself…

Direction:	Maxime Chudeau
Script:	Maxime Chudeau
Animation:	Maxime Chudeau
Editing:	Maxime Chudeau
Sound design:	Maxime Chudeau
Production:	Maxime Chudeau

Maxime Chudeau is an artist/filmmaker based in Chicago. After graduating with an MFA in scenography from H.E.A.R. (Strasbourg, FR), he worked in theater and art direction in Paris before moving to the US to teach. His work explores the malleability of animation and the emergence of chaotic worlds.

RUIZ

Argentina, 2022, 3:00 3D

Same day every day.

Direction:	Guillermo Daldovo
Script:	Guillermo Daldovo
Animation:	Guillermo Daldovo
Editing:	Guillermo Daldovo
Sound design:	Guillermo Daldovo
Production:	Guillermo Daldovo

Guillermo Daldovo (born in 1979 in Buenos Aires, Argentina) is director, graphic designer and animator. He studied Graphic Design at the University of Buenos Aires (UBA). Based in Barcelona since 2008, where he works as a freelancer. Besides his professional work, he also teaches animation and motion capture in ELISAVA.

RUIZ

Argentina, 2022, 3:00 3D

Svaki dan isti dan.

Režija:	Guillermo Daldovo
Scenario:	Guillermo Daldovo
Animacija:	Guillermo Daldovo
Montaža:	Guillermo Daldovo
Dizajn zvuka:	Guillermo Daldovo
Produkcija:	Guillermo Daldovo

Giljermo Daldovo(rođen 1979. u Buenos Ajresu, Argentina) je reditelj, grafički dizajner i animator. Studirao je grafički dizajn na Univerzitetu u Buenos Ajresu (UBA). Od 2008. radi kao frilenser u Barseloni. Pored profesionalnog rada, predaje i animaciju i motion capture u ELISAVA.

THE AWAKENING OF THE INSECTS

France, 2021, 14:09 2D

Hong Kong. Mr Lam is an old gentleman who loses his memory since the death of his wife. On March 5, the day of „the awakening of the hibernating insects“, he receives the unexpected visit of old Ms. Meng.

Direction:	Stephanie Lansaque, Francois Leroy
Script:	Stephanie Lansaque, Francois Leroy
Animation:	Stephanie Lansaque, Francois Leroy
Editing:	Stephanie Lansaque, Francois Leroy
Sound design:	Yann Lacan
Production:	Offshore

In 2002, Francois and Stephanie traveled to Asia for the first time. They loved the atmosphere so much that they decided to work together on their first film ‘Goodbye Mister Chu‘about Vietnamese traditions and the lost soul’s festival. ‘The awakening of the insects’ is their sixth short film. Since 2002, they share their time between Paris, Hanoi and Saigon.

BUĐENJE INSEKATA

Francuska, 2021, 14:09 2D

Hong Kong. Stari gospodin Lam posle smrti svoje žene gubi pamćenje. Petog marta, na dan „buđenja insekata iz hibernacije“, u posetu mu neočekivano stiže stara gospođa Meng.

Režija:	Stephanie Lansaque, Francois Leroy
Scenario:	Stephanie Lansaque, Francois Leroy
Animacija:	Stephanie Lansaque, Francois Leroy
Montaža:	Stephanie Lansaque, Francois Leroy
Dizajn zvuka:	Yann Lacan
Produkcija:	Offshore

Godine 2002. Fransoa i Stefani su prvi put otputovali u Aziju. Toliko im se dopala atmosfera da su odlučili da zajedno rade na svom prvom filmu „Zbogom, gospodine Ču“ o vijetnamskim tradicijama i festivalu izgubljene duše. „Buđenje insekata“ je njihov šesti kratki film. Od 2002. provode vreme između Pariza, Hanoja i Sajgona.

WHAT TIME IS IT?

Germany, 2022, 3:16 3D

He travels back in time ten years to meet his younger self and give him a message. A message that is of tremendous importance for his future life!

Direction:	Eric Giessmann, Piers Goffart
Script:	Piers Goffart
Animation:	Eric Giessmann, Piers Goffart
Sound design:	Eric Van Amerongen
Production:	Lavamachine

Eric Giessmann is multiple international award-winning director for animated short film and specialized in VR content. With the founding of Studio LAVAMACHINE, he combined his passion for classical painting with the digitalization of the 21st century.

Piers Goffart is freelance illustrator and animator with a passion for storytelling, comedy and character acting. In 2015 he won the POS Award for best Artwork. Since 2017 he shifted his craft more and more into VR painting and animation.

KOLIKO JE SATI?

Nemačka, 2022, 3:16 3D

On putuje u prošlost deset godina da bi upoznao mlađeg sebe i preneo mu poruku. Poruka koja je od ogromnog značaja za njegov budući život!

Režija:	Eric Giessmann, Piers Goffart
Scenario:	Piers Goffart
Animacija:	Eric Giessmann, Piers Goffart
Dizajn zvuka:	Eric Van Amerongen
Produkcija:	Lavamachine

Eric Giessmann je višestruko nagrađivani reditelj kratkih animiranih filmova i specijalizovan je za VR sadržaj. Osnivanjem Studija LAVAMACHINE spojio je svoju strast prema klasičnom slikarstvu sa digitalizacijom 21. veka.

Piers Goffart je frilens ilustrator i animator sa strašću za pripovedanje priča, komediju i karakternu glumu. Godine 2015. osvojio je POS nagradu za najbolje umetničko delo. Od 2017. godine sve više prelazi u VR slikarstvo i animaciju.

TA TA TA

China, 2021, 4:26, Mixed technique

Based on the research, interviews and records of the three conditions of Congenital Insensitivity to Pain, Chondropathy, Marfan syndrome, I made these three personal pseudo-documentary animations

Direction:	Yi Yang Sun
Script:	Yi Yang Sun
Animation:	Yi Yang Sun
Sound design:	Yi Yang Sun
Production:	Yi Yang Sun

Yi Yang Sun was born in 2000 in China. She studied in East China Normal University, now major in digital design. Her film has been selected in international film festival such as Animafest Zagreb,New Chitose Airport International Animation Festival and Animist Tallin festival.

TA TA TA

Kina, 2021, 4:26 Kombinovana tehnika

Na osnovu istraživanja, intervjua i zapisa o tri stanja urođene neosetljivosti na bol, hondropatije, Marfanovog sindroma, napravila sam ove tri lične pseudo-dokumentarne animacije.

Režija:	Yi Yang Sun
Scenario:	Yi Yang Sun
Animacija:	Yi Yang Sun
Dizajn zvuka:	Yi Yang Sun
Produkcija:	Yi Yang Sun

Ji Jang Sun je rođena 2000. godine u Kini. Studirala je na Istočnokineskom univerzitetu, sada na smeru digitalni dizajn. Njen film je selektovan za prikazivanje međunarodnim filmskim festivalima kao što su Animafest Zagreb, Nev Chitose Airport i Animist Tallin festival.

THE WHEELS OF LIFE (PHENAKISTOSCOPE ADVENTURE)

Italy, 2022, 3:13 2D

Our technological addiction is hard drug. Computers are more and more powerful, techniques more and more complicated, the supply of moving images is infinite. But old history still gives us unequalled magic.

Direction:	Pasquale D’Amico, Al Maranca, Saori Ito
Script:	Pasquale D’Amico, Al Maranca, Saori Ito
Animation:	Pasquale D’Amico, Saori Ito
Editing:	Pasquale D’Amico
Sound design:	Al Maranca
Production:	Mr.Klesha animation

Pasquale D’Amico (born in 1980) is a visual artist. He says: “What I do is simple: I bring ideas to life and animate stuff. I do the animations in every way: stop motion, classic 2d, sometime 3d and sometime I try to mix all together.“

TOČKOVI ŽIVOTA (FENAKISTOSKOP AVANTURA)

Italija, 2022, 3:13 2D

Naša tehnološka zavisnost je teška droga. Kompjuteri su sve moćniji, tehnike sve komplikovanije, obilje pokretnih slika je beskonačno. Ali stara istorija nam još uvek daje neviđenu magiju.

Režija:	Pasquale D’Amico, Al Maranca, Saori Itoć
Scenario:	Pasquale D’Amico, Al Maranca, Saori Ito
Animacija:	Pasquale D’Amico, Saori Ito
Montaža:	Pasquale D’Amico
Dizajn zvuka:	Al Maranca
Produkcija:	Mr.Klesha animation

Paskquale Damiko (rođen 1980.) je vizuelni umetnik. On kaže: „Ono što radim je jednostavno: oživljavam ideje i animiram stvari. Radim animacije na sve načine: stop motion, klasična 2d, ponekad 3d, a ponekad pokušavam da pomešam sve zajedno.“

A DREAM OF HAWAII

Norway, 2022, 10:26 3D

A tale about plastic pollution stretched to the extreme and human hope for survival in a desperate situation.

Direction:	Thomas Smoor Isaksen
Script:	Thomas Smoor Isaksensg
Animation:	Kristian Halvorsen, Ruben Nerhei
Sound design:	Mats Nesvik Naalsundo
Production:	ZAninaut Studioss

Thomas Smoor Isaksen is a filmmaker from Aalesund, Norway. He attended film school in Bergen and finished his Bachelor of Creative Arts at Deakin University in Melbourne. He is currently working as a freelancer on movie- and tv-productions and is trying to establish himself as a writer and director.

SAN O HAVAJIMA

Norveška, 2022, 10:26 3D

Priča o zagađenju plastičnom razvučena do krajnjih granica i ljudskoj nadi za preživljavanje u očajnoj situaciji.

Režija:	Thomas Smoor Isaksena
Scenario:	Thomas Smoor Isaksenann
Animacija:	Kristian Halvorsen, Ruben Nerheim
Dizajn zvuka:	Mats Nesvik Naalsund
Produkcija:	Aninaut Studios

Thomas Smoor Isaksen je reditelj iz Olesunda, Norveška. Pohađao je filmsku školu u Bergenu i diplomirao kreativne umetnosti na Univerzitetu Deakin u Melburnu. Trenutno radi kao freelancer na filmskim i TV produkcijama i pokušava da se afirmiše kao pisac i reditelj.

SVIREPI DŽIN

Luksemburg, 2022, 6:40 3D

Majka i dete žive pod istim krovom kao okrutni i nasilni džin. Kada bes čudovišta potrese zidove kuće, postoji samo jedan izlaz: sakriti se i ne praviti buku. Tiho! Evo ga dolazi…

Izvorni naslov:	L’Ogre
Režija:	Aurélien Pira
Scenario:	Cyril Bossmann
Animacija:	Michael Tenner Wijaya Oei
Dizajn zvuka:	Pierre Vedovato
Produkcija:	Zeilt Productions

Aurelien Pira je diplomirao na Haute Ecole Albert Jackuard 2009. Radio je kao supervizor kompozitinga na serijskim projektima kao što su „Nachts Station“ i „Barababor“ u Zeilt Productions.

STARS ON THE SEA

South Korea, 2021, 6:06 2D

It is just another ordinary day – until the house begins filling up with water.

Direction:	Seung-Wook Jang
Script:	Seung-Wook Jang
Animation:	Seung-Wook Jang
Editing:	Seung-Wook Jang
Sound design:	Chae-Woong Chung
Production:	Seung-Wook Jang

Seungwook is a Korean animation filmmaker and illustrator based in France. He made ’Stars on the Sea’, ’The Angler’, ’Eating’ and ’Tube Angel’, all of which were awarded at various international film festivals.

ZVEZDE NA MORU

Južna Koreja, 2021, 6:06 2D

To je još samo jedan običan dan – dok kuća ne počne da se puni vodom

Režija:	Seung-Wook Jang
Scenario:	Seung-Wook Jang
Animacija:	Seung-Wook Jang
Montaža:	Seung-Wook Jang
Dizajn zvuka:	Chae-Woong Chung
Produkcija:	Seung-Wook Jang

Seungwook je korejski reditelj animiranih filmova i ilustrator koji živi u Francuskoj. Napravio je filmove ‘Zvezde na moru’, ‘The Angler’, ‘Eating’ i ‘Tube Angel’, i svi su nagrađivani na raznim međunarodnim filmskim festivalima.

SAUNA

Switzerland, 2021, 4:19 2D

Ava enters the Sauna for the first time. She is overwhelmed by the nudity, her thoughts, and the physical sensations. The other guests go about their routines. With the rising heat Ava starts to relax. Finally, she melts away and dissolves into complete ecstasy.

Direction:	Anna Lena Spring, Lara Perren
Script:	Anna Lena Spring, Lara Perren
Animation:	Lara Perren, Anna Lena Spring, Amélie Cochet, Louis Möhrle, Remo Scherrer, Marion Täschler
Editing:	Anna Lena Spring, Lara Perren
Sound design:	Rachelle Furrer, Sammi Khuu, Thomas Gassmann
Production:	Lucerne University of Applied Sciences and Arts – Animation Department

Anna Lena Spring was born in 1998 in Belgrade, Serbia. In 2021 sheobtained a Bachelor degree in Animation at the Faculty of Applied Arts in Belgrade. As an exchange student, spent a semester studying at ESADA: Andalusian Higher School of Art and Design in Granada, Spain. Currently working on her Master degree in Printmaking and Calligraphy & Type Design at the Faculty of Applied Arts in Belgrade. Fields of artistic interests: animation, printmaking, calligraphy, typography.

Lara Perren was born in 1998 in Thun, Switzerland. PreCollege of Art and Design in 2018 in Bern. IN 2020 internship at YK Animation Studio in Bern. Bachelor in Animation from HSLU in 2021.

SAUNA

Švajcarska, 2021, 4:19 2D

Ava prvi put ulazi u saunu. Preplavljena je golotinjom, mislima i fizičkim senzacijama. Ostali posetioci zauzeti su svojom rutinom. Toplota je sve veća, Ava počinje da se opušta. Konačno, ona se topi i rastvara u potpunom zanosu.

Režija:	Anna Lena Spring, Lara Perren
Scenario:	Anna Lena Spring, Lara Perren
Animacija:	Lara Perren, Anna Lena Spring, Amélie Cochet, Louis Möhrle, Remo Scherrer, Marion Täschler
Montaža:	Anna Lena Spring, Lara Perren
Dizajn zvuka:	Rachelle Furrer, Sammi Khuu, Thomas Gassmann
Produkcija:	Univerzitet primenjenih nauka i umetnosti u Lucernu – Odsek za animaciju

Anna Lena Spring je rođena 1997. godine u Bernu, Švajcarska. Predkoledž umetnosti i dizajna 2018. u Bernu. Diplomirala animaciju na HSLU-u 2021.

Lara Peren je rođena 1998. u Tunu, Švajcarska. Predkoledž umetnosti i dizajna 2018. u Bernu. Praksa u IK Animation Studio 2020. godine u Bernu. Diplomirala animaciju na HSLU-u 2021.

ORANGE PEEL

Serbia, 2021, 5:01 Drawing, 2D

On a train back from Spain. On her lap, a notebook of memories, and an orange.

Direction:	Isidora Vulić
Script:	Owen Klatte
Animation:	Isidora Vulić
Editing:	Miloš Gojković
Sound design:	Saša Čirkov
Production:	Fakultet primenjenih umetnosti u Beogradu Faculty of Applied Arts in Belgrade

Isidora Vulić was born in 1998 in Belgrade, Serbia. In 2021 sheobtained a Bachelor degree in Animation at the Faculty of Applied Arts in Belgrade. As an exchange student, spent a semester studying at ESADA: Andalusian Higher School of Art and Design in Granada, Spain. Currently working on her Master degree in Printmaking and Calligraphy & Type Design at the Faculty of Applied Arts in Belgrade. Fields of artistic interests: animation, printmaking, calligraphy, typography.

KORA POMORANDŽE

Srbija, 2021, 5:01 Crtež, 2D

U vozu na povratku iz Španije. Na krilu, sveska uspomena i pomorandža

Režija:	Isidora Vulić
Scenario:	Isidora Vulić
Animacija:	Isidora Vulić
Montaža:	Miloš Gojković
Dizajn zvuka:	Saša Čirkov
Produkcija:	Fakultet primenjenih umetnosti u Beogradu

Isidora Vulić jje rođena 1998. godine u Beogradu. Diplomirala je animaciju na Fakultetu primenjenih umetnosti u Beogradu 2021. godine. Kao student na razmeni, provela je semestar na Andaluzijskoj višoj školi za umetnost i dizajn (ESADA) u Granadi u Španiji. Trenutno radi na magistarskim studijama grafike i kaligrafije i dizajna pisama na Fakultetu primenjenih umetnosti u Beogradu. Oblasti umetničkog interesovanja: animacija, grafika, kaligrafija, tipograf

THERE IS EXACTLY ENOUGH TIME

Austria, 2021, 2:00 Drawing

Oskar Salomonowitz, the 12-year-old son of filmmakers Anja Salomonowitz and Virgil Widrich, had drawn 206 frames of a flip book when he died in an accident. Using the remaining blank sheets, his father continued drawing the film.

Original Title:	Es ist genau genug Zeit
Direction:	Oskar Salomonowitz
Script:	Virgil Widrich
Animation:	Oskar Salomonowitz, Virgil Widrich
Production:	Virgil Widrich

Oskar Salomonowitz was born in Vienna in 2008. At the age of three he was an actor in the feature film ’Spain’ (2012), and at 6 he drew his first animated film. He wrote texts, drew, made music, and programmed over 50 computer games. On 27.10.2020, at the age of 12, he died in an accident. He is buried at the Jewish section of Vienna Central Cemetery.

Virgil Vidrich born 1967 in Salzburg, winner of over 200 international film awards including an Oscar-nomination for his short „Copy Shop“. His most recent feature film is „Night of a 1000 Hours“ (2016).

IMA TAČNO DOVOLJNO VREMENA

Austrija, 2021, 2:00 Crtež

Oskar Salomonovic, 12-godišnji sin filmadžija Anje Salomonovic i Virdžila Vidriha, nacrtao je 206 kadrova flipbuka kada je poginuo u nesreći. Koristeći preostale prazne listove, njegov otac je nastavio da crta film.

Režija:	Es ist genau genug Zeit
Režija:	Oskar Salomonowitz
Scenario:	Virgil Widrich
Animacija:	Oskar Salomonowitz, Virgil Widrich
Produkcija:	Virgil Widrich

Oskar Salomonovic je rođen u Beču 2008. Sa tri godine je bio glumac u igranom filmu „Španija“ (2012), a sa 6 je nacrtao svoj prvi animirani film. Pisao je tekstove, crtao, pravio muziku i programirao preko 50 kompjuterskih igrica. Sa samo 12 godina, poginuo je u nesreći. Sahranjen je u jevrejskom delu bečkog centralnog groblja.

Virgil Vidrich rođen 1967. u Salcburgu, dobitnik je preko 200 međunarodnih filmskih nagrada, uključujući nominaciju za Oskara za svoj kratki film „Copy Shop“. Njegov najnoviji dugometražni film je „Night of a 1000 Hours “ (2016).

SLEPI PISAC

Francuska, 2021, 10:00 Crtež

Crteži ovog filma su rađeni naslepo, odnosno bez gledanja u njih tokom crtanja, već samo korišćenjem taktilnih znakova. Ovo ograničenje dekonstruiše pojedinačne crteže, koji se zatim sklapaju u celinu u umu posmatrača.

Režija:	Georges Sifianos
Scenario:	Georges Sifianos
Animacija:	Georges Sifianos
Dizajn zvuka:	Gustave Carpène
Produkcija:	Georges Sifiano

Žorž Sifianos rođen u Grčkoj, doktorirao je estetiku animacije na Univerzitetu Sorbona. On je reditelj i profesor emeritus animacije na ENSAD-u u Parizu, gde je osnovao Odsek za studije animacije 1995. godine.

THE BLIND WRITER

France, 2021, 10:00 Drawing

It is just another ordinary day – until the house begins filling up with water.

Direction:	Georges Sifianos
Script:	Georges Sifianosg
Animation:	Georges Sifianosg
Sound design:	Gustave Carpèn
Production:	Georges Sifianos

Georges Sifianos born in Greece, holds a PhD in animation aesthetics from the University of Sorbonne. He is a filmmaker and professor emeritus of animation at ENSAD in Paris, where he founded the Department of Animation Studies in 1995.

DOKTOROVA ŽENA

Portugal, 2021, 3:132D, 3D

Kreativne avanture lekara koji pomaže svojoj ženi da prebrodi bol izazvanu neplodnošću njihovog braka.

Režija:	Bruno Simões
Scenario:	Bruno Simões
Animacija:	Sérgio Dias, Simone Krogh, Jorge Ribeiro
Dizajn zvuka:	Rita Gradim
Produkcija:	Studio Kimchi

Bruno Simoeš je animator i režiser iz Barselone. Režirao je animirane filmove po narudžbi za klijente kao što su Ujedinjene nacije, Ad Council, Polaroid, Lego, Nutela ili Jugoistočni psi vodiči, koji su prikazani na prestižnim festivalima animiranog filma širom sveta, kao što su, Anima Mundi, Manchester Animation Festival, Animac ili Cinanima.

THE DOCTOR’S WIFE

Portugal, 2021, 3:13 2D, 3D

The creative adventures of a doctor to help his wife to overcome the hurt caused by the infertility of their marriage.

Direction:	Bruno Simões
Script:	Bruno Simões
Animation:	Sérgio Dias, Simone Krogh, Jorge Ribeiro
Sound design:	Rita Gradim
Production:	Studio Kimchi

Bruno Simões is a Barcelona based animator and filmmaker. He has directed commissioned animated films for clients such as the United Nations, Ad Council, Polaroid, Lego, Nutella, or Southeastern Guide Dogs, which have been screened at prestigious animated festivals around the world, such as Annecy, Anima Mundi, Manchester Animation Festival, Animac or Cinanima.

REST IN PIECE

France, 2021, 9:35 Stop motion

Midyan decides to run away from his war-torn home. He packs his bag with objects that remind him of his loved ones and embarks on a journey into the unknown. Will they give him the strength to finish his journey?

Direction:	Antoine Antabi
Script:	Antoine Antabi, Simon Thummet
Animation:	Antoine Antabi
Editing:	Antoine Antabi, Maximilian Raible
Sound design:	Erik Wiesbaum
Production:	Reynard Films

Antoine Antabi was born in Damascus in 1983 and graduated from the University of Fine Arts in Damascus. He finished his studies in 2006 with a degree in stop-motion animation. Since 2019 he lives in Leipzig, Germany, and works as a graphic designer and photographer, while developing stop-motion projects at the same time.

POČIVAJ U MIRU

Francuska, 2021, 9:35 Stop motion

Midijan odlučuje da pobegne iz svog ratom razorenog doma. Pakuje torbu predmetima koji ga podsećaju na njegove najmilije i kreće na putovanje u nepoznato. Hoće li mu oni dati snage da završi svoj put?

Režija:	Antoine Antabi
Scenario:	Antoine Antabi, Simon Thummet
Animacija:	Antoine Antabi
Montaža:	Antoine Antabi, Maximilian Raible
Dizajn zvuka:	Erik Wiesbaum
Produkcija:	Reynard Films

Antoan Antabi je rođen u Damasku 1983. godine i diplomirao je na Univerzitetu lepih umetnosti u Damasku. Studije je završio 2006. godine sa diplomom stop-motion animacije. Od 2019. živi u Lajpcigu u Nemačkoj i radi kao grafički dizajner i fotograf, dok istovremeno razvija stop-motion projekte.

OF WOOD

USA, 2022, 6:59, Stop motion

A unique experimental stop motion film created by progressively carving images in a large round of wood, enhanced with wooden objects coming out of the wood. It examines the role of wood in daily life through the ages and comments on the impact of consumerism on our lives.

Direction:	Owen Klatte
Script:	Owen Klatte
Animation:	Owen Klatte
Sound design:	Randy Bobo
Production:	Owen Klatte

Owen Klatte is a Character Animator and Animation Director with extensive experience in stop motion and CG animation for feature films, commercials, television, and special venue projects. His credits include „The Nightmare Before Christmas“, „Harry Potter and the Deathly Hallows: Part 1“, Disney’s „Dinosaur“, „Anomalisa“, and „James and the Giant Peach“. „Of Wood“ is Klatte’s first independent animation project since college, fulfilling a decades-old dream.

SUPPER

Hungary, 2022, 14:51, 2D

During a dysfunctional family dinner, oppressed family members battl their oppressors. The battle for domination leads to a monstrous outcome.

Original title:	Vacsora
Direction:	Dániel Bárány
Script:	Dániel Bárány
Animation:	team
Editing:	Vanda Gorácz
Sound design:	Lajos Érsek
Production:	Boddah

Dániel Bárány is a Hungarian animation director. Between 2006 and 2008 he studied animation at Novus School of Art in Budapest. He graduated at Moholy-Nagy University of Art and Design’s Animation Master in 2015 with his short film, ’House Party’ (Házibuli).

VEČERA

Mađarska, 2022, 14:51, 2D

Tokom disfunkcionalne porodične večere, potlačeni članovi porodice bore se sa svojim tlačiteljima. Borba za dominaciju dovodi do monstruoznog ishoda.

Izvorni naslov:	Vacsora
Režija:	Dániel Bárány
Scenario:	Dániel Bárány
Animacija:	team
Montaža:	Vanda Gorácz
Dizajn zvuka:	Lajos Érsek
Produkcija:	Boddah

Daniel Barani je mađarski režiser animiranih filmova. Između 2006. i 2008. studirao je animaciju na Novus School of Art u Budimpešti. Magistrirao je animaciju na Univerzitetu za umetnost i dizajn Moholy-Nagy 2015. sa kratkim filmom „Kućna zabava“.

THE SAUSAGE RUN

Germany, 2022, 9:45, 2D, 3D

Loosely based on the well-known Grimm’s fairy tale ‘Little Red Riding Hood’, the film tells the tragic story of a little lamb with the help of multiple Zoetropes. The roles of the humans and animals are reversed, as the human characters in the film are depicted as anthropomorphous animals.

Direction:	Thomas Stellmach
Script:	Paul Driessen
Animation:	Nancy Bens, Kris Van Alphen
Sound design:	Christian Wittmoser
Production:	Thomas Stellmach Animation, EPEIOS Productions

Thomas Stellmach (1965) is animation director, producer, author and creator of short films. Amongst international awards for his independent productions, he received the Academy award (Oscar®) for the stop-motion film QUEST in 1997. He studied animation at the Kassel Academy of Arts. His productions include stop-motion, 2D/3D animation, pixilation, experimental animation and stereoscopic. He holds animation workshops and is the presenter of his Trickfilm-Show.

KOBASICA U TRKU

Nemačka, 2022, 9:45, 2D, 3D

Ovlaš zasnovan na poznatoj bajci braće Grim „Crvenkapa“, film priča tragičnu priču o malom jagnjetu uz pomoć više zoetropa. Uloge ljudi i životinja su zamenjene, jer su ljudski likovi u filmu prikazani kao antropomorfne životinje.

Režija:	Thomas Stellmach
Scenario:	Paul Driessen
Animacija:	Nancy Bens, Kris Van Alphen
Dizajn zvuka:	Christian Wittmoser
Produkcija:	Thomas Stellmach Animation, EPEIOS Productions

Thomas Stellmach (1965) je reditelj animacije, producent i autor kratkih filmova. Dobitnik Oskara (Oscar®) za stop-motion film Quest, 1997. godine. Studirao je animaciju na Akademiji umetnosti u Kaselu. Njegove produkcije uključuju stop-motion, 2D/3D animaciju, piksilaciju, eksperimentalnu animaciju i stereoskopiju. Vodi radionice animacije i prezenter svog Trickfilm-Show-a.

TRGOVCI LEDOM

Portugal, 2022, 14:00,2D

Svaki dan, otac i njegov sin skaču sa padobranom iz svoje vrtoglave hladne kuće, pričvršćene za liticu, da bi otišli ​​u selo na zemlji, daleko, gde prodaju led koji svakodnevno proizvode.

Režija:	João Gonzalez
Scenario:	João Gonzalez
Animacija:	João Gonzalez, Ala Nunu
Montaža:	João Gonzalez
Dizajn zvuka:	Ed Trousseau, Ricardo Real
Produkcija:	COLA – Colectivo Audiovisual, Royal College of Art, Wild Stream

João Gonzalez (1996) je portugalski filmski reditelj, animator, ilustrator i muzičar sa klasičnim klavirskim obrazovanjem. Dobitnik stipendije Fondacije Calouste Gulbenkian, magistrirao je na Kraljevskom koledžu umetnosti (UK), nakon što je završio BA na ESMAD-u (PT). U ovim ustanovama snimio je dva višestruko nagrađivana filma, „Nestor” i „Putnik”. Godine 2022. postao je prvi portugalski režiser animiranih filmova koji je nagrađen na Festivalu u Kanu, osvojivši nagradu žirija za najbolji kratki film u konkurenciji na Nedelji kritike, sa filmom „Trgovci ledom

ICE MERCHANTS

Portugal, 2022, 14:00,2D

Every day, a father and his son jump with a parachute from their vertiginous cold house, attached to a cliff, to go to the village on the ground, far away where they sell the ice they produce daily.

Direction:	João Gonzalez
Script:	João Gonzalez
Animation:	João Gonzalez, Ala Nunu
Editing:	João Gonzalez
Sound design:	Ed Trousseau, Ricardo Real
Production:	COLA – Colectivo Audiovisual, Royal College of Art, Wild Stream

João Gonzalez (1996) is a Portuguese film director, animator, illustrator and a musician with classical training in piano. Recipient of a scholarship from the Calouste Gulbenkian Foundation, he did a Masters at the Royal College Art (UK), after finishing his BA at ESMAD (PT). In these institutions he made 2 multi-award winning films, “Nestor” and “The Voyager”. In 2022 he became the first Portuguese animation filmmaker to be awarded at Festival de Cannes, winning the Jury Prize for Best Short film in competition at the Critics Week, with “Ice Merchants”.

A DOG UNDER BRIDGE

China , 2022, 12:44, 2D/3D computer, live action

I’m a dog who lives under a bridge in a park…

Direction:	Rehoo Tang
Script:	Rehoo Tang
Animation:	Rehoo Tang
Sound design:	Qianru Lin
Production:	China Academy Of Art, Rehoo Tang

Rehoo Tang was born in 1994 in Hangzhou,China. Graduated animation from CAA（China Academy of Arts）as a bachelor in 2016 with the film “The Pear“. He gained a master diploma (humanistic animation) from CAA in 2021 with “A dog under bridge“. He works and lives in Hangzhou..

PAS ISPOD MOSTA

Kina, 2022, 12:44,2D/3D, glumci

Ja sam pas koji živi ispod mosta u parku…

Režija:	Rehoo Tang
Scenario:	Rehoo Tang
Animacija:	Rehoo Tang
Dizajn zvuka:	Qianru Lin
Produkcija:	China Academy Of Art, Rehoo Tang

Rehoo Tang je rođen 1994. godine u Hangdžouu, Kina. Diplomirao animaciju na CAA (Kineska akademija umetnosti) 2016. godine sa filmom „Kruška“. Master diplomu (humanistička animacija) stekao je 2021. godine sa filmom „Pas pod mostom“. Radi i živi u Hangdžouu.

ONE LAST WISH, BASED ON „WHAT, OF THIS GOLDFISH, WOULD YOU WISH?“ BY ETGAR KERET

Israel, 2021, 10:00, Stop motion

A lonely fisherman has a magical goldfish, who granted him three wishes. He already used two wishes to help others in need. Now he is facing a grave decision; after accidentally killing a stranger, he has to choose whether to keep his last wish and stay a murderer. Or to use it to save a stranger’s life, but in doing so he will lose the only thing that truly matters, his friend.

Direction:	Galia Osmo
Script:	Galia Osmo, Emi Sfard, Alon Marcus
Animation:	Galia Osmo
Editing:	Galia Osmo
Sound design:	Eran Barkan
Production:	Galia Osmo

Galia Osmo is a director and animator based in Tel- Aviv. Her professional path began at the Bezalel Academy of Arts and Design in Jerusalem with a Bachelor’s in industrial design. She later completed a post-graduate in Film and Television Studies at Tel Aviv University. During her studies, Galia created short films, which screened in festivals in Israel and around the world and on several TV channels.

POSLEDNJA ŽELJA, ZASNOVANO NA „ŠTA BI, OD OVE ZLATNE RIBICE, POŽELEO?“ OD ETGARA KERETA

Israel, 2021, 10:00, Stop motion

Zlatna ribica će usamljenom ribaru ispuniti tri želje. Dve želje je iskoristio da pomogne drugima u nevolji. Sada je pred teškom odlukom; nakon što je slučajno ubio stranca, mora da izabere da li će zadržati svoju poslednju želju i ostati ubica, ili da je iskoristi da spase život strancu, a da pri tome izgubi jedinu stvar koja je zaista važna, svog prijatelja.

Režija:	Galia Osmo
Scenario:	Galia Osmo, Emi Sfard, Alon Marcus
Animacija:	Galia Osmo
Montaža:	Galia Osmo
Dizajn zvuka:	Eran Barkani
Produkcija:	Galia Osmo

Galija Osmo je reditelj i animator iz Tel-Aviva. Njen profesionalni put započeo je na Akademiji umetnosti i dizajna Bezalel u Jerusalimu sa diplomom industrijskog dizajna. Kasnije je završila postdiplomske studije filma i televizije na Univerzitetu u Tel Avivu. Tokom studija, Galija je stvarala kratke filmove, koji su prikazivani na festivalima u Izraelu i širom sveta i na nekoliko TV kanala.

REGULAR

USA, Ukraine , 2021, 5:00,2D

This is a film about fonts. There are no texts or letters though. Fonts are human characters living in a graphic design world, each of whom has unique properties. They team up to build a garden, but a negative space storm is coming…

Direction:	Nata Metlukh
Script:	Nata Metlukh
Animation:	Nata Metlukh
Editing:	Nata Metlukh
Sound design:	Daruma Audio
Production:	Nata Metlukh

Nata Metlukh is an animation artist based in San Francisco. She was born and raised in Ukraine. She studied animation at Vancouver Film School, and film direction at Estonian Academy of Arts under the Priit Pärn supervision. Now she works on commercial and personal projects in her home studio, focusing on making gifs and indie films. Nata creates visually bold, character driven works in a digitally hand-drawn technique. Her stories are based on absurdity and defamiliarization of common things. Her films have been recognized by major animation festivals and received several awards.

REGULAR

SAD, Ukrajina, 2021, 5:00, 2D

Ovo je film o fontovima. Međutim, nema ni tekstova ni pisama. Fontovi su ljudski likovi koji žive u svetu grafičkog dizajna, i svaki od njih ima jedinstvena svojstva. Udružuju se da grade vrt, ali negativna svemirska oluja dolazi…

Režija:	Nata Metlukh
Scenario:	Nata Metlukh
Animacija:	Nata Metlukh
Montaža:	Nata Metlukh
Dizajn zvuka:	Daruma Audio
Produkcija:	Nata Metlukh

Nata Metluk je animatorka iz San Franciska. Rođena je i odrasla u Ukrajini. Studirala je animaciju na filmskoj školi u Vankuveru, a režiju na Estonskoj akademiji umetnosti pod mentorstvom Prita Parna. Sada radi na komercijalnim i ličnim projektima u svom kućnom studiju, fokusirajući se na pravljenje gifova i indi filmova. Nata stvara vizuelno smele radove sa izrazitim karakterima, u digitalno ručno crtanoj tehnici. Natine priče zasnovane su na apsurdu i oneobičavanju svakodnevnih stvari, a njeni filmovi su prikazivani na velikim festivalima animacije i dobili su nekoliko nagrada.

BARA S KROKODILIMA

Kina, 2021, 13:36, 2D

Postdiplomac Vang slučajno je upao u baru s krokodilima. Pored bare je istovremeno nestalo i nekoliko građana. Događaj je nastavio da proizvodi vesti, a privukao je i veliku pažnju društvenih medija.

Režija:	Yanrusi Wang
Scenario:	Yanrusi Wang
Animacija:	Yanrusi Wang
Montaža:	Yanrusi Wang
Dizajn zvuka:	Yanrusi Wang
Produkcija:	Central Academy of Fine Arts

Yanrusi Wang je nezavisna rediteljka animacije, rođena 1995. u Pekingu, Kina. Diplomirala je i magistrirala na Kineskoj centralnoj akademiji lepih umetnosti i trenutno na doktorskim studijama na CAFA.

CROCODILE POND

China, 2021, 13:36,2D

The postgraduate student Wang accidentally fell into the crocodile pond, and several citizens disappeared by the pond at the same time. The event continued to make news, and had attracted great attentions from social media.

Direction:	Yanrusi Wang
Script:	Yanrusi Wang
Animation:	Yanrusi Wang
Editing:	Yanrusi Wang
Sound design:	Yanrusi Wang
Production:	Central Academy of Fine Arts

Yanrusi Wang is an independent animation director, born in 1995 in Beijing, China. Obtaining both the bachelor’s and master’s degree from China Central Academy of Fine Arts and is currently pursuing a doctor’s degree at CAFA.

TVRĐAVA

Poljska, 2021, 12:54,Klasična animacija, kolaž l Classic and cutout animation

Autoritarna vlada proglašava opsadno stanje. Za komandanta postavljaju slabovidog starca. Manipulisani građani veruju propagandi. Neznanje i besmislica trijumfuju. Grad postaje zatvorena tvrđava od kartona. Vlasti su, da bi naglasile pretnju, pucale iz topova u nepoznatom pravcu. Tvrđava postaje istorija, ali demoni rata nikad ne spavaju…

Izvorni naslov:	Twierdza
Režija:	Slawek Zalewski
Scenario:	Slawek Zalewski
Animacija:	Andrzej Czaderna, Slawek Zalewski
Dizajn zvuka:	Michał Krajczok
Montaža:	Tomek Wol
Produkcija:	Media Design

Slavek Zalevski je studirao na Grafičkom fakultetu Akademije lepih umetnosti u Krakovu i diplomirao u Studiju animacije profesora Ježija Kuće. Sarađivao je sa Studijem animiranog filma u Krakovu, Britanskim savetom i Ludovi teatrom u Krakovu. Kasnije je osnovao sopstveni studio za crtanje/animaciju/multimediju za kreiranje animiranih filmova i multimedije.

OD DRVETA

SAD, 2022, 6:59, Stop motion

Jedinstven eksperimentalni stop motion film kreiran progresivnim rezbarenjem slika u velikom krugu od drveta, naglašen drvenim predmetima koji izranjaju iz drveta. Film ispituje ulogu drveta u svakodnevnom životu kroz vekove i komentariše uticaj konzumerizma na naše živote.

Režija:	Owen Klatte
Scenario:	Owen Klatte
Animacija:	Owen Klatte
Dizajn zvuka:	Randy Bobo
Produkcija:	Owen Klatte

Oven Klatte je animator karaktera i reditelj animacije sa velikim iskustvom u stop motionu i CG animaciji za igrane filmove, reklame, televiziju i projekte za posebne prostore. Učestvovao je u projektima kao što su „Noćna mora pre Božića“, „Hari Poter i relikvije smrti: prvi deo“, Diznijev „Dinosaurus“, „Anomalisa“ i „Džejms i džinovska breskva“. „Of Wood“ je Klatteov prvi nezavisni projekat animacije još od koledža, kojim je ispunio decenijama star san.

KIŠOBRAN

Francuska, 2022, 15:30, Crtež na staklu (cel)

Neprestana kiša nagriza zemlju, njen materijal se urušava, ništa nije ostalo od pejzaža osim dugih i uskih stubova koji se uzdižu ka beskrajnom nebu. Na jednom od ovih ostrva, preživeli stoji mirno, držeći se svog kišobrana, njegovog jedinog oružja protiv pljuska.

Izvorni naslov:	Le Parapluie
Režija:	Claire Ledru
Scenario:	Claire Ledru, Mino Malan
Animacija:	David Martin, Claire Ledru, Nikita Fraysse, Aurore Peuffier
Dizajn zvuka:	Mino Malan
Montaža:	atarzyna Kijek, Przemysław Adamski
Produkcija:	Xbo Film

Claire Ledru je 2012. počela da vodi stop motion radionice sa udruženjem Cumulo Nimbus u Tuluzu. Njen prvi kratki film „Ptica koja plače“ snimljen je u tehnici animiranih isečaka. 2015. Potom se pridružila timu La Menagerie gde je nastavila da vodi radionice i režirala nekoliko filmova po narudžbini.

BOŽIJI BES

Australia, 2022, 7:37, 2D

Dva razigrana anđela, sedam grešnih svinja i jedan jadni, pravedni prolaznik.

Režija:	Maru Collective
Scenario:	Maru Collective
Animacija:	Maru Collective
Dizajn zvuka:	Maru Collective
Montaža:	Maru Collective
Produkcija:	Maru Collective

Maru Collective je grupa ljudskih bića koja vole da animiraju stvari.

Pas-stan

Estonija, 2022, 14:14, Anijacije lutke l Puppet animation

Zla sudbina je deportovala baletana Sergeja u prigradski kolhoz. Ovde vodi svoje svakodnevne borbe protiv rutine, domaćih životinja i alkohola.

Režija:	Priit Tender
Scenario:	Priit Tender
Animacija:	Priit Tender
Montaža:	Priit Tender
Dizajn zvuka:	Gabriel Solis / Solis Sound
Produkcija:	Nukufilm

Priit Tender je estonski animator, reditelj, dizajner i pisac mnogih kratkih animiranih filmova. Njegovi autorski filmovi vođeni su nadrealnim slikama, crnim humorom i mračnim egzistencijalnim putovanjima. Pritovi filmovi su osvojili nagrade i nominacije na najvažnijim festivalima kratkog i animiranog filma, uključujući Ansi, Otava, Hirošimu, Drezden, Fredrikstad, Utreht itd…

MONDO DOMINO

France, 2021, 6:15, 2D

In a deafening noise of chainsaws, loggers happily humming as they cut down trees to be used as decor for a fashion show. A contemporary cartoon satire, in the form of a burlesque action musical tragi-comedy, leads us into a delirious whirlwind of chain reactions as chaotic as they are grotesque…

Direction:	Suki
Script:	Stéphane Debureau, Suki
Animation:	Suki, Gabriel Jacquel
Editing:	Suki
Sound design:	Suki, Jean-Philippe Gréau
Production:	UTOPI

Born in 1977, Suki self-produced animated short films from late 1990’s on, which had been selected selected, among other festivals, at Annecy, Dresden, Brooklyn… In 2013, ‘N’Djekoh’ participated Annecy, and the following year it was included in the program ‘The New Faces of French Animation’. In 2021 comes ‘Mondo Domino’, produced by Utopi co-founded and co-produced by Arte and Pictanovo.

MONDO DOMINO

Francuska, 2021, 6:15, 2D

U zaglušujućoj buci motornih testera, drvoseče radosno pevuše dok seku drveće koje će se koristiti kao dekor za modnu reviju. Savremena crtana satira, u formi burleskne akcione muzičke tragikomedije, vodi nas u vrtoglavi vrtlog lančanih reakcija koliko haotičnih toliko i grotesknih..

Režija:	Suki
Scenario:	Stéphane Debureau, Suki
Animacija:	Suki, Gabriel Jacquel
Montaža:	Suki
Dizajn zvuka:	Suki, Jean-Philippe Gréau
Produkcija:	UTOPI

Rođen 1977. godine, Suki je samostalno producirao kratke animirane filmove s kraja 1990-ih, koji su selektovani, između ostalih festivala, na Ansi, Drezdenu, Bruklinu… 2013. ‘N’Djekoh’ je učestvovao u Ansi, a sledeće uvršten je u program ‘Nova lica francuske animacije’. 2021. dolazi ‘Mondo Domino’, u produkciji Utopija čiji su suosnivač i koproducent Arte i Pictanovo.

THE SPRAYER

Iran, 2022, 10:00,Stop motion, 3D

In the land occupied with the sprayers army, no one has the right to grow any kind of plants either in public or private. But a seed found buried deep down in the dust might be the beginning of something extraordinary, something big, something revolutionary.

Direction:	Farnoosh Abedi
Script:	Farnoosh Abedi
Animation:	Farnoosh Abedi
Editing:	Farnoosh Abedi
Sound design:	Soroush Abedi
Production:	Kannon – Institute for the Intellectual Development of Children & Young Adult

Farnoosh Abedi was born in 1985 in Isfahan, Iran. He has made more than 20 short animated films and TV series, documentaries and one feature animated film. His films were presented and screened at more than 200 domestic and international film festivals.

PRSKALICA

Iran, 2022, 10:00, Stop motion, 3D

Na zemlji koja je okupirana vojskom prskalica, niko nema pravo da gaji bilo kakvu vrstu bilja ni javno ni privatno. Ali seme pronađeno zakopano duboko u prašini može biti početak nečega izuzetnog, nečeg velikog, nečeg revolucionarnog.

Režija:	Farnoosh Abedih
Scenario:	Farnoosh Abedi
Animacija:	Farnoosh Abedi
Montaža:	Farnoosh Abedir
Dizajn zvuka:	Soroush Abedi
Produkcija:	Kannon – Institute for the Intellectual Development of Children & Young Adult

Farnuš Abedi je rođen 1985. godine u Isfahanu, Iran. Snimio je više od 20 kratkih animiranih filmova i TV serija, dokumentarnih filmova i jedan dugometražni animirani film. Njegovi filmovi su predstavljeni i prikazani na više od 200 domaćih i međunarodnih filmskih festivala

A BRIEF HISTORY OF US

Poland, 2021, 6:22,2D

The film deals with a couple who have gone so long together that they almost became one. Over time, they find it difficult to separate from each other.

Direction:	Etgar Keret
Script:	Etgar Keret
Animation:	Ofra Kobliner
Editing:	Ofra Kobliner
Sound design:	Błażej Kafarski
Production:	Fumi Studio

Etgar Kere (1965) is a writer and a film director. His books were published in more than 45 languages. Over 60 short movies have been based on his stories. Keret resides in Tel Aviv and lectures at Ben-Gurion University of the Negev. In 2007, Keret and Shira Geffen won the Cannes Film Festival’s “Camera d’Or” Award for their movie Jellyfish, and Best Director Award of the French Artists and Writers’ Guild.

KRATKA ISTORIJA O NAMA

Poljska, 2021, 6:22, 2D

Film govori o paru koji je toliko dugo zajedno da su skoro postali jedno. Vremenom su otkrili da im je teško da se odvoje jedno od drugog.

Režija:	Etgar Kereth
Scenario:	Etgar Keret
Animacija:	Ofra Kobliner
Montaža:	Ofra Kobliner
Dizajn zvuka:	Błażej Kafarski
Produkcija:	Fumi Studio

Etgar Keret je pisac i filmski reditelj. Njegove knjige su objavljene na više od 45 jezika. Po njegovim pričama snimljeno je preko 60 kratkih filmova. Keret živi u Tel Avivu i predaje na Univerzitetu Ben-Gurion u Negevu. Godine 2007. Keret i Šira Gefen osvojili su nagradu „Camera d’Or“ na Kanskom filmskom festivalu za svoj film ’Meduza’ i nagradu za najbolju režiju Francuskog saveza umetnika i pisaca.

MY TIGER

France, 2022, 14:10,2D

Mr K works for ”Pastagel”, a miraculous product which keeps your hair perfectly smooth and shiny all day long. Mr K tries to be neat, but his hair is rebellious and doesn’t stay in place, perhaps just like him?

Direction:	Jean-Jean Arnoux
Script:	Jean-Jean Arnoux
Animation:	Jean-Jean Arnoux, Jon Boutin, Tom Chertier, Laure Escadafals, Françoise Losito
Editing:	Nazim Meslem
Sound design:	Quentin Romanet
Production:	Xbo Films, L’image d’après, Eddy

Jean-Jean Arnoux studied animation at Gobelins school, in Paris, and then worked as an illustrator and director of animated short films. .

MOJ TIGAR

Francuska, 2022, 14:10, 2D

Mr K radi za „Pastagel“, čudesni proizvod koji održava vašu kosu savršeno glatkom i sjajnom tokom celog dana. Gospodin K pokušava da bude uredan, ali njegova kosa je buntovna i ne stoji na mestu, možda baš kao on?

Režija:	Jean-Jean Arnoux
Scenario:	Jean-Jean Arnoux
Animacija:	Jean-Jean Arnoux, Jon Boutin, Tom Chertier, Laure Escadafals, Françoise Losito
Montaža:	Nazim Meslem
Dizajn zvuka:	Quentin Romanet
Produkcija:	Xbo Films, L’image d’après, Eddy

Jean-Jean Arnoux je studirao animaciju u školi Gobelins, u Parizu, a zatim je radio kao ilustrator i režiser kratkih animiranih filmova.

THE SOLOISTS

France, 2021, 7:57, 3D,2D

In a small village ruled by ridiculous laws, three singing sisters and their dog rehearse for the Annual Autumn Festival. But an unexpected event will disrupt their plans.

Direction:	Mehrnaz Abdollahinia, Feben Woldehawariat, Razahk Issaka, Celeste Jamneck, Yi Liu
Script:	Mehrnaz Abdollahinia, Feben Woldehawariat, Razahk Issaka, Celeste Jamneck, Yi Liu
Animation:	Mehrnaz Abdollahinia, Feben Woldehawariat, Razahk Issaka, Celeste Jamneck, Yi Liu
Editing:	Mehrnaz Abdollahinia, Feben Woldehawariat, Razahk Issaka, Celeste Jamneck, Yi Liu
Sound design:	Mathieu Tiger
Production:	GOBELINS, l’école de l’image

SOLISTKINJE

Francuska, 2021, 7:57,2D, 3D

U malom selu u kojem vladaju glupi zakoni, tri sestre pevačic i njihov pas vežbaju za godišnji jesenji festival. Ali neočekivani događaj će poremetiti njihove planove.

Režija:	Mehrnaz Abdollahinia, Feben Woldehawariat, Razahk Issaka, Celeste Jamneck, Yi Liu
Scenario:	Mehrnaz Abdollahinia, Feben Woldehawariat, Razahk Issaka, Celeste Jamneck, Yi Liu
Animacija:	Mehrnaz Abdollahinia, Feben Woldehawariat, Razahk Issaka, Celeste Jamneck, Yi Liu
Montaža:	Mehrnaz Abdollahinia, Feben Woldehawariat, Razahk Issaka, Celeste Jamneck, Yi Liu
Dizajn zvuka:	Mathieu Tiger
Produkcija:	GOBELINS, l’école de l’image

IDEMO!

Francuska, 2021, 7:03, 3D

Bejrut, 1982. Dok se Nikolas sprema da pobegne iz svog rodnog grada, rastrzanog beskrajnim građanskim ratom, put mu se ukršta sa Nadžijem, nemarnim tinejdžerom rešenim da ode na bazen. Pokušavajući da zaštiti mladića, Nikolas se nađe uvučen u nadrealnu trku protiv rata, a sve zbog obične slobode da se ode na plivanja.

Režija:	KatarzNayla Nassar, Edouard Pitula, Renaud de Saint Albin, Cécile Adant, Anaïs Sassatelli, Candice Behague
Scenario:	Nayla Nassar, Edouard Pitula, Renaud de Saint Albin, Cécile Adant, Anaïs Sassatelli, Candice Behague
Animacija:	Nayla Nassar, Edouard Pitula, Renaud de Saint Albin, Cécile Adant, Anaïs Sassatelli, Candice Behague
Dizajn zvuka:	Adrien Jésupret, Valérian Cornuaille
Produkcija:	Rubika

Naila Nassar, Edouard Pitula, Renaud de Saint Albin, Cecile Adant, Anais Sassatelli i Candice Behague stekli su diplome Master digitalne režije u školi Rubika u Valensijenu u Francuskoj. Godine 2021. zajedno su režirali kratki film „Yallah!“.

YALLAH!

France, 2021, 7:0, 3D

A boy who was born blind, suddenly at the age of seven sees a light. A medical examination reveals that his eyes are so dense that it takes seven years for the light to reach the retina and hence for the image to reach his consciousness.

Direction:	Nayla Nassar, Edouard Pitula, Renaud de Saint Albin, Cécile Adant, Anaïs Sassatelli, Candice Behague
Script:	Nayla Nassar, Edouard Pitula, Renaud de Saint Albin, Cécile Adant, Anaïs Sassatelli, Candice Behague
Animation:	Nayla Nassar, Edouard Pitula, Renaud de Saint Albin, Cécile Adant, Anaïs Sassatelli, Candice Behague
Sound design:	Adrien Jésupret, Valérian Cornuaille
Production:	Rubika

Nayla Nassar, Edouard Pitula, Renaud de Saint Albin, Cécile Adant, Anaïs Sassatelli and Candice Behague have graduated from the Rubika school (Valenciennes, France) with a Master in digital director. In 2021, they co-directed the short film „Yallah!“.

SPORA SVETLOST

Poljska, 2022, 11:00,Stop motion, 2D

Dečak koji je rođen slep, iznenada sa sedam godina ugleda svetlost. Medicinski pregled otkriva da su mu oči toliko guste da je potrebno sedam godina da svetlost stigne do mrežnjače, a samim tim i da slika stigne do njegove svesti.

Režija:	Katarzyna Kijek, Przemysław Adamski
Scenario:	Katarzyna Kijek, Przemysław Adamski
Animacija:	Katarzyna Kijek, Przemysław Adamski
Dizajn zvuka:	Katarzyna Kijek, Przemysław Adamski
Montaža:	Claire Ledru
Produkcija:	Animoon, COLA

„Mi smo Kasia Kijek i Pšemek Adamski, reditelji sa velikim iskustvom u mnogim tehnikama snimanja filmova. Konstantno se razvijamo u potrazi za najadekvatnijim sredstvima izražavanja jer je svaki projekat drugačiji i zahteva različit pristup. Izbor pravog materijala i tehnike sastavni je deo priče koju pričamo svaki put. Jednostavnost i kreativnost procesa su naši glavni ciljevi bilo u živoj akciji ili animaciji. Ozbiljni smo po pitanju toga, ali želimo da se zabavimo s tim.“

SLOW LIGHT

Poland, 2022, 11:00,Stop motion, 2D

A boy who was born blind, suddenly at the age of seven sees a light. A medical examination reveals that his eyes are so dense that it takes seven years for the light to reach the retina and hence for the image to reach his consciousness.

Direction:	Katarzyna Kijek, Przemysław Adamski
Script:	Katarzyna Kijek, Przemysław Adamski
Animation:	Katarzyna Kijek, Przemysław Adamski
Sound design:	Carlos Abreu e Miguel Gonçalves
Editing:	Katarzyna Kijek, Przemysław Adamski
Production:	Animoon, COLA

„We are Kasia Kijek and Przemek Adamski, directors with vast experience in many techniques of filmmaking. We are constantly evolving in the search for the most adequate means of expression because each project is different and requires a disparate approach. The choice of the right material and technique is an integral part of the story we tell each time. Simplicity and creativity of the process are our main goals whether in live action or animation. We’re serious about it, but we want to have fun with it.“

DIES IRAE

Australia, 2022, 7:37, 2D

Two playful angels, seven sinful pigs, and one poor righteous passerby.

Direction:	Maru Collective
Script:	Maru Collective
Animation:	Maru Collective
Sound design:	Maru Collective
Editing:	Maru Collective
Production:	Maru Collective

Maru Collective is a group of humans who like to animate things.

THE UMBRELLA

France, 2022, 15:30, Paint-on-glass animation (cel animation)

Incessant rain erodes the earth, its material collapses, nothing remains of the landscape except long and narrow pillars rising against an immense sky. On one of these islands, a survivor stands still, clinging to his umbrella, his only weapon against the downpour.

Original Title:	Le Parapluie
Direction:	Claire Ledru
Script:	Claire Ledru, Mino Malan
Animation:	David Martin, Claire Ledru, Nikita Fraysse, Aurore Peuffier
Sound design:	Mino Malank
Editing:	Claire Ledru
Production:	Xbo Films

Claire Ledru in 2012 began to run stop motion workshops with the association Cumulo Nimbus in Toulouse. Her first short film “The Weeping Bird” was made of cut outs in 2015. Then she joined the team of La Menagerie where she continued to run workshops and directed a few commissioned films.

ĐUBRETAR

Portugal, 2022, 11:50, 2D

Jednog vrelog avgustovskog popodneva, porodica okupljena za stolom seća se ujaka Botaa: kolonijalnog rata, emigracije u Francusku, gde je živeo i radio trideset godina kao đubretar.

Izvorni naslov:	O Homem Do Lixo
Režija:	Laura Gonçalves
Scenario:	Laura Gonçalves
Animacija:	Inês Teixeira, Marta Reis Andrade, Alexandra Ramires (Xá), Vitor Hugo Rocha, Maria Francisca Moura, Dimitrije Mihajlovic, Laura Gonçalves
Dizajn zvuka:	Pedro Marinho, Bernardo Bento
Produkcija:	Bando à Parte

Laura Gonsalveš je završila kurs Umetnost i multimedija na Faculdade de Belas Artes u Lisabonu 2009. Prvi kratki animirani film „Three Veeks in December“ režira 2012. kao magistarski rad iz animacije na Univerzitetu umetnosti u Bornmutu. Seli se u Porto 2013. i počinje da radi u Bando a Parte kao animator i slikar. Režira kratki film „Nossa Senhora da Apresentacao“ 2015. sa Abijem Feižom, Alis Gimaraeš i Danijelom Duarte, u produkciji Curtas Metragens C.R.L. Sa Aleksandrom Ramires (Ša) režira 2016. kratki animirani film „Kap po kap“.

THE GARBAGE MAN

Portugal, 2022, 11:50, 2D

On a hot August afternoon, the family gathered at the table remembers uncle Botão: the Colonial War, emigration to France, where he lived and worked thirty years as a garbage man.

Original Title:	O Homem Do Lixo
Direction:	Laura Gonçalves
Script:	Laura Gonçalves
Animation:	Inês Teixeira, Marta Reis Andrade, Alexandra Ramires (Xá), Vitor Hugo Rocha, Maria Francisca Moura, Dimitrije Mihajlovic, Laura Gonçalves
Sound design:	Pedro Marinho, Bernardo Bento
Production:	Bando à Parte

Laura Gonçalves finished her course Art and Multimedia at Faculdade de Belas Artes in Lisbon in 2009. In 2012 she directs her first animation short „Three Weeks in December“, completing her Animation MA at Arts University Bournemouth. In 2013 she moves to Porto, where she starts working at Bando à Parte as an animator and painter. In 2015 she co-directs the short film „Nossa Senhora da Apresentação“ with Abi Feijó, Alice Guimarães and Daniela Duarte. In 2016 she co-directs with Alexandra Ramires (Xá), the animation short „Drop by Drop“.

PUTNIK

Argentina, 2022, 10:00 Stop motion, Cut-outs

Putovanje kroz konfliktni odnos između čoveka, njegovog društvenog okruženja i kodova.

Izvorni naslov:	Pasajero
Režija:	Juan Pablo Zaramella
Scenario:	Juan Pablo Zaramella
Animacija:	Juan Pablo Zaramella
Dizajn zvuka:	Ceci Castro, Hernán Kerlleñevich
Produkcija:	JPZtudio

Huan Pablo Zaramella je rođen u Buenos Ajresu, Argentina. Diplomirao je na Filmskom institutu Avellaneda kao režiser animiranog filma. Njegova profesionalna karijera započela je kombinovanjem ilustratora sa izradom sopstvenih samostalnih kratkih filmova, koji su bili priznati širom sveta. U svakoj produkciji Zaramela istražuje različite tehnike i estetiku, ali uvek u okviru narativnog stila zasnovanog na apsurdu. Njegovo najpoznatije delo je Luminaris, kratki film u tehnici piksilacije koji je dobio 328 nagrada, postavši Ginisov svetski rekorder za najnagrađivaniji kratki film u 2018. godini. Godine Kreirao je i režirao „Najmanji čovek na svetu“ (2016), seriju od 52 epizode u koprodukciji Francuske i Argentine.

PASSENGER

Argentina, 2022, 10:00 Stop motion, Cut-outs

A journey through the conflictive relationship between a man, his social environment and codes.

Original Title:	Pasajero
Direction:	Juan Pablo Zaramellaes
Script:	Laura Gonçalves
Animation:	Juan Pablo Zaramell
Sound design:	Ceci Castro, Hernán Kerlleñevich
Production:	JPZtudio

Juan Pablo Zaramella was born in Buenos Aires, Argentina. He graduated at the Avellaneda Film Institute as Animated Film Director and his professional career began by combining his work as an illustrator with the making of his own independent shorts, which were recognized throughout the world. In each production, Zaramella explores different techniques and aesthetics, but always within a narrative style based on the absurd. His best-known work is “Luminaris“, a pixilation short film which received 328 awards, becoming the Guinness World Record for the most awarded short in 2018. In 2016 he created and directed the series “The Tiniest Man in the World“, a 52 episodes co-production between France and Argentina.

WET

France , 2021, 6:00,3D

During a thrilling massage, a lady is going to seduce her masseur. Through different rooms of a thermal cure, a seduction game would take place. A maze of sensation, flesh and steam which lead them to meet again.

Direction:	Marianne Bergeonneau, Lauriane Montpert, Mélina Mandon, Cloé Peyrebrune, Elvira Taussac
Script:	Marianne Bergeonneau, Lauriane Montpert, Mélina Mandon, Cloé Peyrebrune, Elvira Taussac
Animation:	Marianne Bergeonneau, Lauriane Montpert, Mélina Mandon, Cloé Peyrebrune, Elvira Taussac
Editing:	Marianne Bergeonneau, Lauriane Montpert, Mélina Mandon, Cloé Peyrebrune, Elvira Taussac
Sound design:	Jérémie Esperet
Production:	Ecole des Nouvelles Images

VLAŽNOST

Francuska, 2021, 6:00, 3D

Tokom uzbudljive masaže, dama će zavesti svog masera. Igra zavođenja odvijaće se u različitim sobama parnog kupatila. Lavirint senzacija, mesa i pare koji ih dovode do ponovnog susreta.

Režija:	Marianne Bergeonneau, Lauriane Montpert, Mélina Mandon, Cloé Peyrebrune, Elvira Taussac
Scenario:	Marianne Bergeonneau, Lauriane Montpert, Mélina Mandon, Cloé Peyrebrune, Elvira Taussac
Animacija:	Marianne Bergeonneau, Lauriane Montpert, Mélina Mandon, Cloé Peyrebrune, Elvira Taussac
Montaža:	Marianne Bergeonneau, Lauriane Montpert, Mélina Mandon, Cloé Peyrebrune, Elvira Taussac
Dizajn zvuka:	Jérémie Esperet
Produkcija:	Ecole des Nouvelles Images

REPARATIONS

Colombia, 2022, 8:24,2D, 3D

Reparations is an experimental animated short film that explores the phenomenon of migration (forced and voluntary), through the fragmentation and modulation of a character: A chair that moves as a result of invisible forces. Forces that sometimes represent coloniality, in others industrialization and in the most complex, the consequences of war.

Original title:	Reparaciones
Direction:	Wilson Andres Borja
Script:	Wilson Andres Borja
Animation:	Carlos Alarcon, Wilson Borja, Daniel Arce, Fabio Sinning, Sandra Castro
Editing:	Lola Barreto
Sound design:	Carolina Lucio
Production:	Lola Barreto

Wilson Borja was born in Bogotá, Colombia in 1980. After graduating as a graphic designer in 2003, he has been creating images for magazines and books for more than ten years. In animation, he has collaborated as concept artist and character designer for TV and film projects. He graduated from the Master of Fine Arts in Studio Art program at the University of Arkansas after earning a Fulbright scholarship in 2011. Currently, he teaches illustration and animation courses in the graphic design program at Universidad Nacional de Colombia.

OBEŠTEĆENJA

Kolumbija l, 2022, 8:24, 2D, 3D

Eksperimentalni animirani kratki film koji istražuje fenomen migracije (prisilne i dobrovoljne), kroz fragmentaciju i modulaciju karaktera: stolica koja se kreće kao rezultat nevidljivih sila. Te sile ponekad predstavljaju kolonijalnost, u drugima industrijalizaciju a u najsloženijim posledice rata.

Izvorni naslov:	Reparaciones
Režija:	Wilson Andres Borjao
Scenario:	Wilson Andres Borja
Animacija:	Carlos Alarcon, Wilson Borja, Daniel Arce, Fabio Sinning, Sandra Castro
Montaža:	Lola Barreto
Dizajn zvuka:	Carolina Lucio
Produkcija:	Lola Barreto

Vilson Borja je rođen u Bogoti, Kolumbija 1980. Nakon što je diplomirao grafički dizajn 2003. godine, više od deset godina radi ilustracije za časopise i knjige. U animaciji je sarađivao kao koncept dizajner umetnik i dizajner likova za TV i filmske projekte. Diplomirao je na programu Master of Fine Arts in Studio Art na Univerzitetu Arkanzas nakon što je dobio Fulbrajtovu stipendiju 2011. Trenutno predaje kurseve ilustracije i animacije u programu grafičkog dizajna na Univerzitetu Nacional de Kolumbija.

SIERRA

Estonia, 2022, 15:57, 3D

Father and his son are losing the folkrace. In order to win, a boy turns himself into a car tire. Loosely inspired by the director’s childhood, Sierra pulls us into the surreal car racing world.

Direction:	Sander Joon
Script:	Sander Joon
Animation:	Henri Veermäe, Valya Paneva, Teresa Baroet, Sander Joon
Editing:	Sander Joon
Sound design:	Matis Rei
Production:	BOP! Animation, AAA Creative

Sander Joon uses animation to create surreal worlds with a dash of humour. His films have previously travelled to festivals such as Annecy, DOK Leipzig, Ottawa, Go Short, Stuttgart, Fredrikstad, Kaboom, Supertoon, Animateka and GLAS. He has attended the Open Workshop artist residency in Viborg twice and is now teaching animation at the Estonian Academy of Arts, where he has received a master’s degree in animation.

PLANINA

Estonija, 2022, 15:57, 3D

Otac i njegov sin gube trku. Da bi pobedili, dečak se pretvara u automobilsku gumu. Ovlaš inspirisana rediteljevim detinjstvom, Sierra nas uvlači u nadrealni svet automobilskih trka.

Režija:	Sander Joon
Scenario:	Sander Joon
Animacija:	Henri Veermäe, Valya Paneva, Teresa Baroet, Sander Joon
Montaža:	Sander Joon
Dizajn zvuka:	Matis Rei
Produkcija:	BOP! Animation, AAA Creative

Sander Joon koristi animaciju da stvori nadrealne svetove sa daškom humora. Njegovi filmovi su prikazivani na festivalima kao što su Annecy, DOK Leipzig, Otava, Go Short, Stuttgart, Fredrikstad, Kaboom, Supertoon, Animateka i GLAS. Dva puta je pohađao rezidenciju Open Vorkshop za umetnike u Viborgu, a sada predaje animaciju na Estonskoj akademiji umetnosti, gde je magistrirao animaciju.

THE SEINE’S TEARS

France, 2021, 8:49, 3D

In 1961 October 17th „Algerian workers“ get down the streets to manifest against the mandatory curfew imposed by the Police prefecture.

Original Title:	Les larmes de la Seine
Direction:	Yanis Belaid, Eliott Benard, Nicolas Mayeur, Etienne Moulin, Hadrien Pinot, Lisa Vicente, Philippine Singer, Alice Letailleur
Script:	Yanis Belaid, Eliott Benard
Animation:	Eliott Benard, Philippine Singer, Alice Letailleur
Editing:	Yanis Belaid
Sound design:	Lisa Vicente
Production:	Pole 3D

Yanis Belaid, Eliott Benard, Nicolas Mayeur, Etienne Moulin, Hadrien Pinot, Lisa Vicente, Philippine Singer and Alice Letailleur have graduated from the Pôle 3D school (Roubaix, France). In 2021, they co-directed the short film „The Seine’s tears“.

SENINE SUZE

Francuska, 2021, 8:49,3D

Sedamnaestog oktobra 1961, „alžirski radnici“ izašli su na ulice da bi protestovali protiv obaveznog policijskog časa koji je uvela prefektura policije.

Izvorni naslov:	Les larmes de la Seine
Režija:	Yanis Belaid, Eliott Benard, Nicolas Mayeur, Etienne Moulin, Hadrien Pinot, Lisa Vicente, Philippine Singer, Alice Letailleur
Scenario:	Yanis Belaid, Eliott Benard
Animacija:	Eliott Benard, Philippine Singer, Alice Letailleur
Montaža:	Yanis Belaid
Dizajn zvuka:	Lisa Vicente
Produkcija:	Pole 3D

Ianis Belaid, Eliott Benard, Nicolas Maieur, Etienne Moulin, Hadrien Pinot, Lisa Vicente, Philippine Singer i Alice Letailleur su diplomirali na školi Pole 3D (Rube, Francuska). Kratki film „Senine suze“režirali su 2021. godine.

FORTRESS

Poland, 2021, 12:54, Classic and cutout animation

The authoritarian government declares a state of siege. They appoint a visually impaired old man as commander. The manipulated citizens trust the propaganda. Ignorance and nonsense triumph. The city becomes a closed fortress made of cardboard. The authorities, to emphasize the threat, fire cannons in an unknown direction. The fortress becomes history, but the demons of war never sleep…

Original Title:	Twierdza
Direction:	Slawek Zalewskis
Script:	Slawek Zalewski
Animation:	Andrzej Czaderna, Slawek Zalewsk
Sound design:	Michał Krajczok
Editing:	Tomek Wolf
Production:	Media Design

Slawek Zalewski studied at the Faculty of Graphics of the Academy of Fine Arts in Krakow and obtained his diploma from the Animation Studio of Professor Jerzy Kucia. He collaborated with the Animation Film Studio in Kraków, the British Council and the Ludowy Theatre in Kraków. Later, he set up his own drawing/animation/multimedia studio to create animated films and multimedia.

Chicago

Portugal, 2021, 3:40, 2D, 3D, motion graphic

This animated short film/music video was created for the track „Chicago“ by the Chicagoan musical producer Lance Skiiiwalker. Both video and music are homages to the spirit of Chicago and its people.

Direction:	João Pombeiro
Script:	João Pombeiro
Animation:	João Pombeiro
Editing:	João Pombeiro
Sound design:	Lance Skiiiwalker, Keaton Smith, João Pombeiro
Production:	Lance Skiiiwalker

João Pombeiro (Leiria, 1979) is a Portuguese visual artist, animator and director who works in several areas, such as fine arts, television, cinema and internet, standing out mainly for his video clips that merge collage, video and animation.

Čikago

Portugal, 2021, 3:40, 2D, 3D, motion graphic

Ovaj animirani kratki film/muzički video je kreiran za numeru „Chicago“ čikaškog muzičkog producenta Lensa Skajvokera. I video i muzika su omaž duhu Čikaga i njegovih ljudi.

Režija:	João Pombeiro
Scenario:	João Pombeiro
Animacija:	João Pombeiro
Montaža:	João Pombeiro
Dizajn zvuka:	Lance Skiiiwalker, Keaton Smith, João Pombeiro
Produkcija:	João Pombeiro

Žoao Pombeiro (Leiria, 1979) je portugalski vizuelni umetnik, animator i reditelj koji radi u nekoliko oblasti, kao što su likovna umetnost, televizija, film i internet, izdvajajući se uglavnom po svojim video klipovima koji spajaju kolaž, video i animaciju.

Girl in the water

Taiwan, 2021, 7:20, 2D hand-drawn animation, digital

Contemplation of torn walls and scars reminds the heroine of the ups and downs of love. The film depicts femininity and female internal time-consciousness through the convalescence of a woman’s broken heart, which is based on my personal experiences.

Direction:	Shi-Rou Huang
Script:	Shi-Rou Huang
Animation:	Shi-Rou Huang
Editing:	Shi-Rou Huang
Sound design:	Andree Lin, Yaping Zhen , Peilin Wu
Production:	Shi-Rou Huang

Shi-Rou Huang is a freelance animator and illustrator. Specializing in cel-animation, she often finds herself deep-diving into female consciousness. Beneath the gentle and cloud-like colors of her work lies the poetic and visceral storytelling.

Devojka u vodi

Tajvan, 2021, 7:20, 2D ručno crtana, digitalna animacija

Kontemplacija oguljenih zidova i ožiljaka podseća junakinju na uspone i padove ljubavi. Film prikazuje ženstvenost i žensku unutrašnju vreme-svest kroz oporavak slomljenog srca žene, što je zasnovano na mojim ličnim iskustvima.

Režija:	Shi-Rou Huangr
Scenario:	Shi-Rou Huang
Animacija:	Shi-Rou Huang
Montaža:	Shi-Rou Huang
Dizajn zvuka:	Andree Lin, Yaping Zhen , Peilin Wu
Produkcija:	Shi-Rou Huang

Shi-Rou Huang je slobodni animator i ilustrator, specijalizovana za cel-animaciju. Često se zatekne kako duboko zaranja u žensku svest. Ispod nežnih boja nalik oblaku njenog rada krije se poetično i visceralno pripovedanje.

Little Smasher

France, 2021, 13:56, 2D, drawing

Poetic testimony of a family crossing time and space to the rhythm of the uncontrollable crises of the youngest.

Original title:	Petit cogneur
Direction:	Gilles Cuvelier
Script:	Gilles Cuvelier
Animation:	Gilles Cuvelier
Editing:	Gilles Cuveliern
Sound design:	Yan Volsy
Production:	Papy3D

After studying Applied Arts, Gilles Cuvelier joined the first DMA Cinéma d’animation de France, at the E.S.A.A.T in Roubaix in 1998, before being accepted at the Gobelins, from which he graduated in 2002. He began his professional career at Films du Nord, which produced his first film, Chahut, in 2005. He is also one of the founders of the production company Papy3D, as well as the Studio Train-Train. He taught animation at the E.S.A.A.T for many years, as well as at Supinfocom.He is currently developing new short projects and is beginning to write a feature film.

Mali razbijač

Francuska, 2021, 13:56, 2D, crtež

Poetsko svedočanstvo o porodici koja ukršta vreme i prostor u ritmu nekontrolisanih kriza najmlađih.

Izvorni naslov:	Petit cogneur
Režija:	Gilles Cuvelier
Scenario:	Gilles Cuvelier
Animacija:	Gilles Cuvelier
Montaža:	Gilles Cuvelier
Dizajn zvuka:	Yan Volsy
Produkcija:	Papy3D

Nakon studija primenjenih umetnosti, Gilles Cuvelier se pridružio prvom DMA Cinema d’animation de France, na E.S.A.A.T u Rubeu 1998, pre nego što je primljen na Gobelins, gde je diplomirao 2002. Profesionalnu karijeru započeo je u Films du Nord, koji je producirao njegov prvi film, Chahut, 2005. godine. Jedan od osnivača produkcijske kuće Papi3D, kao i Studija Train-Train.Predavao je animaciju na E.S.A.A.T-u dugi niz godina, kao i na Supinfocom-u. Trenutno razvija nove kratke projekte i počinje da piše igrani film.

Stress Dreams

USA, 2022, 8:00, 2D, drawing

A hero journeys to a distant mountain to obtain a gem.

Direction:	Grant Colton
Script:	Grant Colton
Animation:	Grant Colton
Editing:	Grant Colton
Music:	Greensky Bluegrass “Stress Dreams” (Official Music Video)
Production:	Matthew Beck

Grant Kolton is a writer, director, animator living in Los Angeles specializing in 2d frame by frame animation, motion graphics, and mixed-media live action. Author of the films Kill Your Idioms, By the Name of Boston, Blackhole Apartment, City Dwellers.

Stresni snovi

SAD, 2022, 8:00, 2D, crtež

Heroj putuje na daleku planinu da bi dobio dragulj.

Režija:	Grant Colton
Scenario:	Grant Colton
Animacija:	Grant Colton
Montaža:	Grant Colton
Muzika:	Greensky Bluegrass “Stress Dreams” (Official Music Video)
Produkcija:	Matthew Beck

Grant Koltonje pisac, reditelj, animator koji živi u Los Anđelesu, specijalista je 2d animaciju fram-by-frame animaciju, motion grafic i miks mediju uživo. Autor filmova Kill Your Idioms, By the Name of Boston, Blackhole Apartment, City Dwellers

Zombi meteor

Španija, 2022, 14:00, 3D

Bio je to jedan običan dan na Međunarodnoj svemirskoj stanici, sve dok se jedan od brodskih sistema nije pokvario. Mar i Petrov, dvoje iskusnih astronauta, pokušavaju da ga poprave, ali ih silovito pogađa do tada nešto neviđeno, i sada ostaje samo da pokušaju da prežive.

Režija:	Alfonso Fulgencio, Jose Luis Farias
Scenario:	Alfonso Fulgencio
Animacija:	José Luis Farias
Montaža:	Alfonso Fulgencio
Dizajn zvuka:	Alfonso Sanz
Produkcija:	Paramotion Films

Alfonso Fugensio i Hose Luis Farijas su radili kao reditelji i/ili producenti u kratkim filmovima „Zombie Time“ (kandidat za Goia Avards) „A Stori About Robots“, „Mandos“ „Undo“ i „Agua“ „.Sub“, kao i na kreiranju programa „Lunnis i Accion!“ i „Agus i Lui“ koji se emituju na Clan RTVE.

Zombie meteor

Spain, 2022, 14:00, 3D

It seemed like a normal day on the International Space Station, until one of the ship’s systems fails. Mar and Petrov, two experienced astronauts, try to repair it, but something never seen before hits them violently, now all that remains is to try to survive.

Direction:	Alfonso Fulgencio, Jose Luis Farias
Script:	Alfonso Fulgencio
Animation:	José Luis Farias
Editing:	Alfonso Fulgencio
Sound design:	Alfonso Sanz
Production:	Paramotion Films

Alfonso Fugencio and Jose Luis Farias have worked as directors and/or producers in the short films „Zombie Time“ (candidate for the Goya Awards) „A Story About Robots“, „Mandos“ „Undo“ and „Agua“ „.Sub“, as well as on the creation of the programs „Lunnis y Acción!“ and „Agus y Lui“ both broadcast on Clan RTVE.

Melting

Portugal, 2022, 12:21, 2D

They ignore each other in the hope of becoming each other’s object of desire. Failing by tactical symmetry, they allow the desire to burn away.

Original title:	Degelo
Direction:	Susana Miguel António, Filipa Gomes da Costa
Script:	Susana Miguel António
Animation:	Susana Miguel António, Filipa Gomes da Costa
Editing:	Leonor Costa, Filipe Lacerda
Sound design:	Daniel Camalhão
Production:	Sardinha em lata

Susana Miguel António (1985), graduated in Communication Sciences from FSCH-UNL and post-graduated in Cultural Management from ISCTE-IUL. She worked as executive producer for the production company Sardinha em Lata from 2015 to 2020.

Filipa Gomes Da Costa (1972), attends the Fashion Design Course at CITEX and the Illustration Course at Ar.Co. Her path in animation begins at Neurones PT. She collaborates with several production companies, including Lamdaacesa and Sardinha em Lata.

Topljenje

Portugal, 2022, 12:21, 2D

Ignorišu jedno drugo u nadi da će jedno drugom postati predmet čežnje. U nedostatku taktičke simetrije, dozvoljavaju da želja nestane.

Izvorni naslov:	Degelo
Režija:	Susana Miguel António, Filipa Gomes da Costa
Scenario:	Susana Miguel António
Animacija:	Susana Miguel António, Filipa Gomes da Costa
Montaža:	Leonor Costa, Filipe Lacerda
Dizajn zvuka:	Daniel Camalhão
Produkcija:	Sardinha em lata

Susana Miguel Antonio (1985), diplomirala komunikologiju na FSCH-UNL, postdiploma menadžmenta u kulturi na ISCTE-IUL. Radila kao izvršni producent za producentsku kuću Sardinha em Lata od 2015. do 2020.

Filipa Gomeš Da Košta (1972) pohađa kurs modnog dizajna na CITEX-u i kurs ilustracije na Ar.Co. Njen put u animaciji počinje u Neurones PT. Sarađuje sa nekoliko produkcija poput Lamdaacesa i Sardinha em Lata.

Loop

Spain, 2021, 8:00

In this society each human being repeats the same action over and over again, in this society each human being repeats the same action over and over again, in this society each human being repeats the same action over and over again, in this society each human being repeats the same action over and over again.

Technique:	2D
Direction:	Pablo Polledri
Script:	Pablo Polledri
Animation:	Mari Carmen Cambrils, Arkaitz del Río, Pablo Polledri
Editing:	Pablo Polledri
Sound design:	Rafael del Campo
Production:	UniKo, Maniac Planet

Pablo Poledri is an independent filmmaker, one of the most prominent authors of Argentine animation. He has directed 20 short films as well as numerous commercial works for international brands. CORP, his previous 2D animated short, was screened at more than 220 international festivals and won more than 50 awards.

PETLJA

Španija, 2021, 8:00

U ovom društvu svako ljudsko biće ponavlja istu radnju iznova i iznova, u ovom društvu svako ljudsko biće ponavlja istu radnju iznova i iznova, u ovom društvu svako ljudsko biće ponavlja istu radnju iznova i iznova, u ovom društvu svaki čovek biće ponavlja istu radnju iznova i iznova.

Tehnika:	2D
Režija:	Pablo Polledri
Scenario:	Pablo Polledri
Animacija:	Mari Carmen Cambrils, Arkaitz del Río, Pablo Polledri
Montaža:	Pablo Polledri
Dizajn zvuka:	Rafael del Campo
Produkcija:	UniKo, Maniac Planet

Pablo Poledri je nezavisni filmski stvaralac, jedan od najistaknutijih autora argentinske animacije. Režirao je 20 kratkih filmova, kao i mnoštvo komercijalnih radova za međunarodne brendove. CORP, njegov prethodni 2D animirani kratki film, prikazan je na više od 220 međunarodnh festivala i dobio je više od 50 nagrada.